Rūta Vitkauskaitė

Song of the Shadows (2024)

Duration:

10’00”

Instrumentation:

Soprano, violoncello and audience participation

Programme Note

I have been wishing to use the texts from Gaelic Hymns and Incantations for a long while now, after acquiring a book by Alexander Carmichael ‘Carmina Gadelica’. Earlier in my compositional path, I’ve written a vocal work using Lithuanian healing spells, and it was dedicated to Covid times and healing, and later, while reading through the Gaelic collection of hymns and incantations, it really resonated with my already growing interest in such chants. When visiting Outer Hebrides a few years ago, coming across still standing Black house, and spending a week talking to the locals of the wonderful village of Bragar, I understood deeply meaning of the fireplace that was traditionally right in the middle of the house, most important and sacred place, peat, kindling, blessing of the fire, and mysterious aura surrounding it from which the Gaelic tales and songs were born. So my piece, Song of the Shadows, is about that, trying to summon that spirit that is so fragile and rarely encountered in our modern world. I am using authentic Gaelic incantations for blessing the fire, and I also use an authentic Lithuanian spell that has been used to prevent one’s house from burning down. The piece is inviting audience participation at the start and at the end, who create an environment of semi-present spirits in the house, and you will see the singer walking in triangle, imitating the original ritual of laying the peat in the fireplace.